GuitarWorld.com's latest readers poll—the first annual Jim Dunlop Effect Pedal Throwdown—has reached Round 3!
For the past month, we've been pitting Dunlop, MXR and Way Huge pedals against each other in a no-holds-barred shootout. Now the competition is guaranteed to get even tougher.
Therefore, we're pulling out all the stomps! Sixteen stompboxes will go head to head — or toe to toe, if you prefer — leading up to the king of Dunlop/MXR/Way Huge pedals.
You can check out the current bracket — with all 32 competing pedals that starting things off in Round 1 — in the Scribd.com window below (Be sure to click on the "full screen" button in the lower-right-hand corner to expand the bracket).
The bracket is updated after (almost) every matchup, and matchups will take place pretty much every day, excluding weekends. Each competing pedal will accompanied by a demo video created by the Jim Dunlop company, and you'll always find a photo gallery of the competing pedals at the bottom of each matchup.
In today's matchup, the MXR M169 Carbon Copy Analog Delay goes foot to foot against the Way Huge WHE 702s Echo-Puss Delay. Start voting below!
YESTERDAY'S RESULTS: Yesterday, the MXR M75 Super Badass Distortion (54.12 percent) defeated the Way Huge WHE202 Green Rhino Overdrive (45.88 percent) to advance to the next round! To see all the matchups that have taken place so far, head HERE. Thanks for voting!
Go from crisp "bathroom" slap echoes to epic, Gilmouresque delays with the MXR Carbon Copy Analog Delay. Featuring 600ms of delay time with optional modulation, and a three-knob layout that controls Delay, Mix, and Regen.
In addition, there are two internal trim pots that offer user-adjustable width and rate control of the modulation for even more tonal options. All done by a completely analog audio path for authentic rich, warm analog delay—made possible only by old-school analog bucket brigade technology. True bypass.
The Way Huge Echo-Puss was designed by delay expert Jeorge Tripps for players who want an organic analog delay pedal that allows them to fine-tune their delay sound with a simple user interface. It serves up 600ms of delay with a pair of gravelly-voiced bucket-brigade chips. Additionally, a fully tweakable LFO modulation circuit allows you to add a liquid texture to the sound of the repeats.