GuitarWorld.com's latest readers poll—the first annual Jim Dunlop Effect Pedal Throwdown—has reached Round 2!
For the past month, we've been pitting Dunlop, MXR and Way Huge pedals against each other in a no-holds-barred shootout. Now the competition is guaranteed to get even tougher.
Therefore, we're pulling out all the stomps! Sixteen stompboxes will go head to head — or toe to toe, if you prefer — leading up to the king of Dunlop/MXR/Way Huge pedals.
You can check out the current bracket — with all 32 competing pedals that starting things off in Round 1 — in the Scribd.com window below (Be sure to click on the "full screen" button in the lower-right-hand corner to expand the bracket).
The bracket is updated after (almost) every matchup, and matchups will take place pretty much every day, excluding weekends. Each competing pedal will accompanied by a demo video created by the Jim Dunlop company, and you'll always find a photo gallery of the competing pedals at the bottom of each matchup.
In today's matchup, the MXR M75 Super Badass Distortion goes foot to foot against the MXR M104 Distortion+. Start voting below!
YESTERDAY'S RESULTS: Yesterday, the Way Huge WHE 101 Angry Troll Boost (55.15 percent) destroyed the Dunlop FFM1 Fuzz Face Mini Silicon (44.85 percent) to advance to the next round! To see all the matchups that have taken place so far, head HERE. Thanks for voting!
Designed by the award-winning MXR Custom Badass team, the Super Badass Distortion puts decades of 100 percent analog distortion at your feet. With its highly responsive Distortion control, the Super Badass covers a full spectrum, from early Seventies low gain overdrive to modern “scooped” metal distortion and every shade of dirt in between.
Once you’ve dialed in your desired amount of crunch, you can use the Bass, Mid and Treble controls to finely sculpt your sound.
This little yellow box is responsible for those great distortion sounds heard on so many classic recordings. Set the Distortion control low and crank the Output knob to drive the front end of your amp for cool blues tones, or max out the Distortion knob for classic early ’80s hard rock tone. There still isn't any distortion unit on the market that sounds like the Distortion+.
"When I was 15, I first arrived at my potential sound with an MXR Distortion+, a Memphis LP copy and a Fender Princeton amp." — Slash