It's time to compare the mettle of Jim Dunlop pedals!
In GuitarWorld.com's latest readers poll — the first annual Jim Dunlop Effect Pedal Throwdown — we're pitting Dunlop, MXR and Way Huge pedals against each other in a no-holds-barred shootout.
Yes, we're pulling out all the stomps! Thirty-two stompboxes will go head to head — or toe to toe, if you prefer — culminating with the crowning of the king of Dunlop pedals.
You can check out the beginning bracket — with all 32 competing pedals — in the Scribd.com window below (Be sure to click on the "full screen" button in the lower-right-hand corner to expand the bracket).
The bracket will be updated after every matchup, and matchups will take place pretty much every day. Each competing pedal will accompanied by a demo video created by the Jim Dunlop company, and you'll always find a photo gallery of the competing pedals at the bottom of each matchup.
Remember you can vote once per device! Get started!
In our inaugural matchup, a couple of real badasses are duking it out! It's MXR against MXR as the M75 Super Badass Distortion shoots it out with the MXR M78 Custom Badass '78 Distortion.
Designed by the award-winning MXR Custom Badass team, the Super Badass Distortion puts decades of 100 percent analog distortion at your feet. With its highly responsive Distortion control, the Super Badass covers a full spectrum, from early Seventies low gain overdrive to modern “scooped” metal distortion and every shade of dirt in between.
Once you’ve dialed in your desired amount of crunch, you can use the Bass, Mid and Treble controls to finely sculpt your sound.
The first in a line from the MXR Custom Badass design team, the MXR Custom Badass ’78 Distortion is a factory-modded pedal that roars with huge amp stack tones and old school tube amp-like distortion. We took a classic distortion circuit and hot-rodded it to the next level for over-the-top soaring leads and rich, saturated rhythms.
With only three knobs, dialing in Badass tone is a cinch. The CRUNCH button allows you to choose between two different modes of diode and LED clipping, boosting the harmonic content of the distortion.