In Deep with Andy Aledort: Unraveling the Mysteries of Chicago and Texas Blues Shuffles, Part 1

by Andy Aledort
Posted Dec 5, 2013 at 2:37pm

These videos are bonus content related to the January 2014 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now, or in our online store.

First of all, be sure to check out my brand-new website, andyaledort.com, which has all of the latest gig info, gear, lesson (private and Skype), session availability and more!

There may be no more an enduring sound that has spanned the long, diverse history of popular music than the blues shuffle.

Born from the boogie-woogie sounds of jazz piano in the very early 20th century, the swinging shuffle groove is built from an insistent and repetitive forward-leaning rhythm that is generally written in 12/8 meter—wherein four consecutive beats are each subdivided into three evenly spaced eighth notes—and comprises a repeating quarter-note/eighth-note rhythm that sounds like “da—da, da—da, da—da, da—da.”

In this edition of In Deep, we’ll unravel the guitar artistry of three masters of the blues shuffle: Chicago’s Jimmy Reed and Muddy Waters, and Texas’ Lightnin’ Hopkins.

PART ONE



PART TWO