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Lessons: Guitar Riff Search Engine |
Guitar Riff Search Engine
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There are over 200 published riffs that match your search criteria:
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1.
Eric Johnson-type Licks (#4)
- Page 1
by Christopher Sung (9297)
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A few years ago, I spent some time trying to get familiar with some of the devices that Eric uses to make his playing so fresh. Although he is known for his tone, and the violin-like brilliance in his playing, I found that h...(more)
Rock/Pop · Expert · 248503 Hits · 4.22 / 5 (292 ratings)
2.
Eric Johnson-type Licks (#4)
- Page 2
by Christopher Sung (9297)
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Another interesting aspect of Eric's playing is the way he mixes triplets and sixteenth notes, often within the same measure or phrase. In this example, he shifts effortlessly between the two throughout the line. Although p...(more)
Rock/Pop · Expert · 248503 Hits · 4.22 / 5 (292 ratings)
3.
Eric Johnson-type Licks (#4)
- Page 3
by Christopher Sung (9297)
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Here's another example in E where there's accentuation on the F# (the 9th of the scale) and shifting in and out of triplets and 16th notes. I can really hear the shift if I slow it down using the tempo control at the bottom ...(more)
Rock/Pop · Expert · 248503 Hits · 4.22 / 5 (292 ratings)
4.
Blues & Jazz Licks on Pop (#7)
- Page 1
by Christopher Sung (9297)
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In this example, we can draw from the C Blues scale to create some simple but effective lines over a nice pop progression. In each measure, all the activity happens in the second part of the measure, such that when we hit th...(more)
Rock/Pop · Advanced · 70122 Hits · 3.94 / 5 (72 ratings)
5.
Blues & Jazz Licks on Pop (#7)
- Page 2
by Christopher Sung (9297)
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Time to use some chromatic licks in addition to our blues scale notes. In this case, we still use the same "box" pattern of our C Blues scale, but we also add some strategically placed passing notes in between. Note how, wh...(more)
Rock/Pop · Advanced · 70122 Hits · 3.94 / 5 (72 ratings)
6.
Basic Scale Patterns (#36)
- Page 1
by Christopher Sung (9297)
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In this lesson, we'll look at eight different permutations of the same scale pattern idea. The main scale we'll use is an A blues scale without the blue note so: A · C · D · E · G. This is one of the most basic scale forms ...(more)
Rock/Pop · Intermediate · 198013 Hits · 4.31 / 5 (217 ratings)
7.
Basic Scale Patterns (#36)
- Page 2
by Christopher Sung (9297)
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Now, we'll do the same thing as page 1, but we'll use an ascending pattern instead. We find our low A, and play 4 ascending notes. Then we find our next highest note from the low A, which a C and we play four ascending note...(more)
Rock/Pop · Intermediate · 198013 Hits · 4.31 / 5 (217 ratings)
8.
Basic Scale Patterns (#36)
- Page 3
by Christopher Sung (9297)
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Of course, our pattern doesn't necessarily have to be 4 notes long. It could 3 or 5 or even 8 notes long if you can keep track of where you are. In this case, we do the same thing as page 1, but we use a 3-note descending p...(more)
Rock/Pop · Intermediate · 198013 Hits · 4.31 / 5 (217 ratings)
9.
Basic Scale Patterns (#36)
- Page 4
by Christopher Sung (9297)
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Now let's do the same thing, but using a 3-note ascending pattern instead of a descending one. Are you starting to see the things that you can keep changing to create similar but effective lines? So far, it's been the number...(more)
Rock/Pop · Intermediate · 198013 Hits · 4.31 / 5 (217 ratings)
10.
Basic Scale Patterns (#36)
- Page 5
by Christopher Sung (9297)
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Up to now, all of our lines have been composed of eighth notes. Do you think we could play the four previous examples but as triplets instead of eighth notes? You bet we could, so let's take the line from page 1 and play it...(more)
Rock/Pop · Intermediate · 198013 Hits · 4.31 / 5 (217 ratings)
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