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Lessons: Guitar Riff Search Engine |
Guitar Riff Search Engine
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41.
Scott Henderson Type Licks (#16)
- Page 3
by Christopher Sung (9297)
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In the same vein, this example starts out with an ascending B7 arpeggio. The line itself is really inside, but when played over a C progression, it becomes "outside". The last beat of measure 3, where the F# moves to the G i...(more)
Jazz · Advanced · 79050 Hits · 4.25 / 5 (123 ratings)
42.
Diminished Licks Over an E7 Groove (#17)
- Page 1
by Christopher Sung (9297)
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When you're playing over a static type of groove, you can create some interesting phrases by using parts of the diminished scale to give your lines a unique flavor. All the examples in this lesson are for an E7 type of stati...(more)
Jazz · Advanced · 80471 Hits · 4.30 / 5 (76 ratings)
43.
Diminished Licks Over an E7 Groove (#17)
- Page 2
by Christopher Sung (9297)
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In this example, we play the ascending scale pretty much verbatim in mms. 1-2. Note that the diminished scale is a repeating pattern of alternating half steps (1 fret) and whole steps (2 frets). In general, the most common ...(more)
Jazz · Advanced · 80471 Hits · 4.30 / 5 (76 ratings)
44.
Diminished Licks Over an E7 Groove (#17)
- Page 3
by Christopher Sung (9297)
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This is a fun one. There's a lot of note targeting in this lick. After the opening notes, the first 2 beats of measure 2 are targeting the B on the upbeat of beat 2. Beats 3-4 of measure 2 target the G in the first beat of ...(more)
Jazz · Advanced · 80471 Hits · 4.30 / 5 (76 ratings)
45.
Diminished Licks Over an E7 Groove (#17)
- Page 4
by Christopher Sung (9297)
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Because the diminished scale is symmetric, it's great for repeating motifs that ascend or descend. By symmetric, I mean that the scale actually repeats itself every three notes. What this means is that an E diminished scale...(more)
Jazz · Advanced · 80471 Hits · 4.30 / 5 (76 ratings)
46.
Diminished Licks Over an E7 Groove (#17)
- Page 5
by Christopher Sung (9297)
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This lick is similar in concept to the example shown in page 4, but now we are descending instead of ascending. Also, the example in page 4 repeats itself twice in every octave. In this classic example of a repeating patter...(more)
Jazz · Advanced · 80471 Hits · 4.30 / 5 (76 ratings)
47.
A Guide for Beginners - Strumming (#19)
- Page 1
by Christopher Sung (9297)
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One of the hardest aspects of playing the guitar when you first start out is strumming. A lot of people assume that it has everything to do with getting your strumming hand to become comfortable and fluid, but how you use yo...(more)
Basics · Beginner · 978740 Hits · 4.33 / 5 (1258 ratings)
48.
A Guide for Beginners - Strumming (#19)
- Page 2
by Christopher Sung (9297)
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This next pattern is very similar to that in page 1, but we start out with a down and up strum instead of just the one down strum. The basic pattern looks like this:<br>
<img src="/images/beginner/strum2.gif" align="center"...(more)
Basics · Beginner · 978740 Hits · 4.33 / 5 (1258 ratings)
49.
A Guide for Beginners - Strumming (#19)
- Page 3
by Christopher Sung (9297)
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This example is also similar to page 1, but we've changed the third beat. Instead of a quarter note, we just use the same pattern as in beats 2 and 4. The result is an emphasis on the up strokes on all the beats except the ...(more)
Basics · Beginner · 978740 Hits · 4.33 / 5 (1258 ratings)
50.
A Guide for Beginners - Strumming (#19)
- Page 4
by Christopher Sung (9297)
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Hopefully, you're starting to get the hang of it. So far, all the examples have been one measure patterns. In this next example, we use a two-measure pattern that is a common one. In fact, this is the default strumming pat...(more)
Basics · Beginner · 978740 Hits · 4.33 / 5 (1258 ratings)
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