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Lessons: Guitar Riff Search Engine |
Guitar Riff Search Engine
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31.
Bach's Bourree in E Minor (#14)
- Page 1
by Christopher Sung (9297)
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As far as the right hand goes, you can use your fingers or even a finger and a pick, as there are never more than two notes being fretted at the same time. In fact, you can even play it with just your thumb and index finger ...(more)
Classical · Intermediate · 139991 Hits · 4.54 / 5 (199 ratings)
32.
Bach's Bourree in E Minor (#14)
- Page 2
by Christopher Sung (9297)
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In the first page, we stayed in E Minor, and then modulated to G Major at the end. In this part of the tune, we use the same type of motifs in the first part, but end up in B Major in measure 17, before we wrap it up in page...(more)
Classical · Intermediate · 139991 Hits · 4.54 / 5 (199 ratings)
33.
Bach's Bourree in E Minor (#14)
- Page 3
by Christopher Sung (9297)
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OK, time to wrap up this tasty little tune. When we last left our hero, we were in B Major. Now, Bach uses a series of patterns to modulate us back to the home key of E Minor. Things get a little hairy in mms. 22-23 as the...(more)
Classical · Intermediate · 139991 Hits · 4.54 / 5 (199 ratings)
34.
Different II-V-I Licks (#15)
- Page 1
by Christopher Sung (9297)
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Here's a series of licks over a Dm7-G7-C chord progression. They're mostly eighth note lines with slurring (i.e. hammers and pulls) mostly into notes occurring on the beat. There's nothing etched in stone regarding the arti...(more)
Jazz · Advanced · 112465 Hits · 4.26 / 5 (91 ratings)
35.
Different II-V-I Licks (#15)
- Page 2
by Christopher Sung (9297)
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For these licks, there no rule about fingering. I usually keep playing around with it until something feels comnfortable. The way my fingerings have evolved (mostly from listening to Sco and Pat) is to give priority to slur...(more)
Jazz · Advanced · 112465 Hits · 4.26 / 5 (91 ratings)
36.
Different II-V-I Licks (#15)
- Page 3
by Christopher Sung (9297)
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Here are some ideas involving chromaticism, which is one sure way to play a complex line with the least amount of movement...
Jazz · Advanced · 112465 Hits · 4.26 / 5 (91 ratings)
37.
Different II-V-I Licks (#15)
- Page 4
by Christopher Sung (9297)
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Here are some ideas that impose other chord forms on the G7. The end of measure 1 and the start of measure 2 imply Ab7 over the D Min7-G7. In measure 6, reference is made to a B Major 7...
Jazz · Advanced · 112465 Hits · 4.26 / 5 (91 ratings)
38.
Different II-V-I Licks (#15)
- Page 5
by Christopher Sung (9297)
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More ideas involving the superimposition of other chord types. In measure 2, we have an Ab7 type of idea in beats 1-2, before going to the G7 in the beats 3-4. Measure 5 borrows from Eb Minor (1/2 step above the given chord...(more)
Jazz · Advanced · 112465 Hits · 4.26 / 5 (91 ratings)
39.
Scott Henderson Type Licks (#16)
- Page 1
by Christopher Sung (9297)
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Scott Henderson (of Tribal Tech fame) is quite simply a monstrous player. Equally adept at blues as he is at Giant Steps, he can play over anything. In particular, he excels at playing great lines over static progressions (o...(more)
Jazz · Advanced · 79052 Hits · 4.25 / 5 (123 ratings)
40.
Scott Henderson Type Licks (#16)
- Page 2
by Christopher Sung (9297)
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The example below is a little bit more outside. The first measure is almost like an F Lydian kind of thing with F,G,A,B. Using a simple 5-note motif in mms 3-5, he keeps moving it down by a full step each measure, until the...(more)
Jazz · Advanced · 79052 Hits · 4.25 / 5 (123 ratings)
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