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11.
Funk Comping Patterns in E (#5)
- Page 3
by Christopher Sung (9297)
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Sometimes, you can just play little repeating types of solo fills to fill in the cracks between the bass and drums. Because this line just draws from the blues scale, and the blues scale fits well over both chords, we don't ...(more)
Funk/R&B · Intermediate · 158906 Hits · 4.23 / 5 (164 ratings)
12.
Tasty Bends and Runs in E (#6)
- Page 1
by Christopher Sung (9297)
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Here's a classic bluesy run that works well over this groove. It emphasizes the bend from the fourth (A) to the fifth (B) and the b7 (D) to the tonic (E). In each of the cases, you bend with your third finger up to frets to...(more)
Funk/R&B · Advanced · 83944 Hits · 4.61 / 5 (111 ratings)
13.
Tasty Bends and Runs in E (#6)
- Page 2
by Christopher Sung (9297)
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In this example, we bend the A up to the B and really milk it untill we descend. The first time we partially descend at the start of measure 3, I throw in a C# instead of a D (fret 14 on the 2nd string instead of 15) for a l...(more)
Funk/R&B · Advanced · 83944 Hits · 4.61 / 5 (111 ratings)
14.
Tasty Bends and Runs in E (#6)
- Page 3
by Christopher Sung (9297)
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Here's another classic bend that accentuates the C#. We bend the B at fret 7 up to the C# at fret 9, which is the 6th of the scale and in this case, this implies A major. Often when bending and holding a note, it's nice to ...(more)
Funk/R&B · Advanced · 83944 Hits · 4.61 / 5 (111 ratings)
15.
Blues & Jazz Licks on Pop (#7)
- Page 1
by Christopher Sung (9297)
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In this example, we can draw from the C Blues scale to create some simple but effective lines over a nice pop progression. In each measure, all the activity happens in the second part of the measure, such that when we hit th...(more)
Rock/Pop · Advanced · 70125 Hits · 3.94 / 5 (72 ratings)
16.
Blues & Jazz Licks on Pop (#7)
- Page 2
by Christopher Sung (9297)
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Time to use some chromatic licks in addition to our blues scale notes. In this case, we still use the same "box" pattern of our C Blues scale, but we also add some strategically placed passing notes in between. Note how, wh...(more)
Rock/Pop · Advanced · 70125 Hits · 3.94 / 5 (72 ratings)
17.
A Guide for Beginners - Major Chords (#9)
- Page 2
by Christopher Sung (9297)
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<font color="#000000"><b>The C Major Chord</b></font><BR>
Let's start with the C Major chord, which is also referred to as just a 'C chord'. For now, it probably isn't particularly important to know <b>why</b>
it's called ...(more)
Basics · Beginner · 2830774 Hits · 4.50 / 5 (5469 ratings)
18.
A Guide for Beginners - Major Chords (#9)
- Page 3
by Christopher Sung (9297)
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<font color="#000000"><b>The A Major Chord</b></font><BR>
The fingering for an A Major chord is a little more difficult than the C chord, especially if you have
big fingers or a small guitar. The main thing is that you hav...(more)
Basics · Beginner · 2830774 Hits · 4.50 / 5 (5469 ratings)
19.
A Guide for Beginners - Major Chords (#9)
- Page 4
by Christopher Sung (9297)
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<font color="#000000"><b>The G Major Chord</b></font><BR>
There are a few different ways to finger a G Major chord, and the fingering presented below is just one
of them. I like this particular fingering because if you're ...(more)
Basics · Beginner · 2830774 Hits · 4.50 / 5 (5469 ratings)
20.
A Guide for Beginners - Major Chords (#9)
- Page 5
by Christopher Sung (9297)
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<font color="#000000"><b>The E Major Chord</b></font><BR>
I think the E Major chord is one of most powerful chords you can play. The low string (6th string) on
your guitar is an E, and in this sense, it is the lowest sound...(more)
Basics · Beginner · 2830774 Hits · 4.50 / 5 (5469 ratings)
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