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171. Double Stops (#57) - Page 3 by Christopher Sung (9297)
<b>Warning: Aside coming...</b><br> One aside to the example on the previous page is that you can pretty much take any lick and drone the tonic note above it. That is to say, if you have a blues lick in E, you can keep play...(more)
Blues · Intermediate · 134257 Hits · 4.06 / 5 (78 ratings)
172. Double Stops (#57) - Page 4 by Christopher Sung (9297)
Here's another nice lick over the IV chord (i.e. C7). We set it up in measure 5 with some comping, and then let loose in the 6th measure, using a 16th note lick featuring the blue note, while playing the E on top. The G7-C-...(more)
Blues · Intermediate · 134257 Hits · 4.06 / 5 (78 ratings)
173. Major Scale Chord Harmony (#59) - Page 1 by PJ Labinski (105)
Using the C major scale, you can build a chord from each note in the scale (C D E F G A B). Chords are built using the 1st, 3rd, and 5th note of the scale (starting with the root note of the chord). Our first chord would th...(more)
Theory/Reference · Intermediate · 6332 Hits · 2.83 / 5 (6 ratings)
174. Major Scale Chord Harmony (#59) - Page 2 by PJ Labinski (105)
The next step is to create the 7th chord harmony. 7th chords contain the 1, 3, 5, and 7th note. (Is this making sense?). So taking our C major scale (C D E F G A B), our first chord would be C, E, G, and B (1, maj3, perfec...(more)
Theory/Reference · Intermediate · 6332 Hits · 2.83 / 5 (6 ratings)
175. something in a minor arpeggio (#62) - Page 1 by Sean Kelly (1527)
I dont know what this is, I was just mucking with the composer, but it could possibly teach you a basic minor 1-b3-5 arpeggio that jumps an octave each time up the neck. Drums and Bass courtesy of the groove builder.
Alternative · Intermediate · 14424 Hits · 3.21 / 5 (19 ratings)
176. Shed Those Minor 7 Arpeggios (#63) - Page 1 by Jared Wren (391)
The m7 arpeggio works out for me in a lot of different situations: rock, pop, jazz, you name it. It has some of the notes in the blues scale, and it's just a good thing to have under your fingers. To practice my arpeggios, ...(more)
Theory/Reference · Intermediate · 41771 Hits · 4.00 / 5 (7 ratings)
177. Shed Those Minor 7 Arpeggios (#63) - Page 2 by Jared Wren (391)
of course, you just can't play it in one key - you should know it in every key. So let's go cycle 5 with it - F, Bb, Eb, Ab, C#, F#, B, E, A, D, G. here's Fm7
Theory/Reference · Intermediate · 41771 Hits · 4.00 / 5 (7 ratings)
178. Shed Those Minor 7 Arpeggios (#63) - Page 3 by Jared Wren (391)
Here's Bbm7
Theory/Reference · Intermediate · 41771 Hits · 4.00 / 5 (7 ratings)
179. Shed Those Minor 7 Arpeggios (#63) - Page 4 by Jared Wren (391)
Now Ebm7. Lesson authors take note: taking an idea cycle 5 with a different page for each key is a great way to rack up points...
Theory/Reference · Intermediate · 41771 Hits · 4.00 / 5 (7 ratings)
180. Shed Those Minor 7 Arpeggios (#63) - Page 5 by Jared Wren (391)
Abm7
Theory/Reference · Intermediate · 41771 Hits · 4.00 / 5 (7 ratings)

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