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Lessons: Guitar Riff Search Engine |
Guitar Riff Search Engine
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There are over 200 published riffs that match your search criteria:
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111.
Basic Scale Patterns (#36)
- Page 5
by Christopher Sung (9297)
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Up to now, all of our lines have been composed of eighth notes. Do you think we could play the four previous examples but as triplets instead of eighth notes? You bet we could, so let's take the line from page 1 and play it...(more)
Rock/Pop · Intermediate · 198020 Hits · 4.31 / 5 (217 ratings)
112.
Basic Scale Patterns (#36)
- Page 6
by Christopher Sung (9297)
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Now let's do the same thing but in an ascending fashion instead of a descending fashion....
Rock/Pop · Intermediate · 198020 Hits · 4.31 / 5 (217 ratings)
113.
Basic Scale Patterns (#36)
- Page 7
by Christopher Sung (9297)
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Now, we'll revisit our 3-note descending pattern and play it as triplets instead of 8th notes...
Rock/Pop · Intermediate · 198020 Hits · 4.31 / 5 (217 ratings)
114.
Basic Scale Patterns (#36)
- Page 8
by Christopher Sung (9297)
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And, don't forget it's ascending counterpart...
Rock/Pop · Intermediate · 198020 Hits · 4.31 / 5 (217 ratings)
115.
An endless modal excercise (#37)
- Page 1
by Sean Kelly (1527)
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This is an interesting modal excercise I made up to warm the hell out of your fingers. <br>It uses only F and F# modal scales to play through all the major chords, in this order: <br>
Cmaj (F Lydian)<br>
C#maj (F Phryg...(more)
Theory/Reference · Advanced · 40371 Hits · 4.35 / 5 (51 ratings)
116.
An endless modal excercise (#37)
- Page 2
by Sean Kelly (1527)
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Did you notice that with the right cheesy soundcard this sounds like something straight out of an 80's video game or "A Clockwork Orange?"<br><br>the chords and scales here are:<br>
Cmaj (F Lydian)<br>
Bmaj (F# Mixoly...(more)
Theory/Reference · Advanced · 40371 Hits · 4.35 / 5 (51 ratings)
117.
self harmonizing (#38)
- Page 1
by Sean Kelly (1527)
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This little finger excercise teaches a trick Im currently learning to do some beatles-esque or even classical sounding guitar solos, and its great to get your fingers in unconventional positions. By learning a major scale up ...(more)
Theory/Reference · Advanced · 5952 Hits · 3.20 / 5 (5 ratings)
118.
Adding Hammer-Ons to Your Strumming (#39)
- Page 1
by Christopher Sung (9297)
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You can create more interesting strumming patterns by using hammer-ons after the strum. A hammer-on is when you pick a note, and while it's ringing, you fret a note that's higher on that string without picking it. The resul...(more)
Acoustic/Folk · Beginner · 265611 Hits · 4.09 / 5 (274 ratings)
119.
Adding Hammer-Ons to Your Strumming (#39)
- Page 2
by Christopher Sung (9297)
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In the example below, we take our basic A chord and modify the C# that's played on the 2nd string. When we strum the chord, the C# isn't there. It's replaced by the open B string, and we then hammer on at the 2nd fret. The...(more)
Acoustic/Folk · Beginner · 265611 Hits · 4.09 / 5 (274 ratings)
120.
Adding Hammer-Ons to Your Strumming (#39)
- Page 3
by Christopher Sung (9297)
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In the example below, we take our basic G chord and modify the B that's played on the 5th string. When we strum the chord, the B isn't there. It's replaced by the open A string, and we then hammer on at the 2nd fret. The l...(more)
Acoustic/Folk · Beginner · 265611 Hits · 4.09 / 5 (274 ratings)
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