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Arpeggios In Counterpoint Chapter I

Peter Hsieh (1575) · [archive]
Style: Classical · Level: Advanced · Tempo: 160
Pages: 1 2 3 4

Here is another way that this arpeggio can be played in counterpoint: by delaying the second sequence by two notes and tracing the steps the of the first sequence. Doing this gives the arpeggios a dominant sounding perfect fifths harmony, very strong and full. I especially admire the effect it has on the high notes.
Arpeggios In Counterpoint Chapter I - Page 4