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Dizzying Dominant Sevenths

Jeremy Cotton (7923) · [archive]
Style: Jazz · Level: Advanced · Tempo: 120
Pages: 1 2 3 4 5 6

Altered dominant chords are very nice for adding color to your improvisation and to your comping. They work best when they are followed by the appropriate I (or i) chord. Again, they are best used when they resolve properly to the next chord. examples of these chords and voicing are:
C7(b9)
C7(#9)
C7(#9,#5)
C7(b9,#5)
G7(#5,b9)
G7(#5)