GROUP TWO continued. Enharmonic equivalents. Adim7, Cdim7(B#dim7), Ebdim7, Gbdim7.Em = E, F#, G, A, B, C, D#, E.
Key signature has one sharp, same as G major. F# is on the top line of the staff. In E harmonic minor the vii degree is raised so the D is sharped by writing the sharp in front of the note each time it is used.
Primary chords in the key of E minor are Em(i)=E, G, B Am(iv)=A, C, E
B7(v7)=B, D#, F#, A. Lowered ninth(b9)=F Raised ninth(#9)=Fx.
D#dim7(vii7)=D#, F#, A, C.
D#dim7 notes and passing tones = D#, [E], F#, [G], A, [B], C**b9, [Cx]**#9, D#
Gm = G, A, Bb, C, D, Eb, F#, G.
Key signature contains two flats, same as the key of Bb, Bb on middle line, and Eb on the fourth space. The seventh degree in the harmonic minor scale is raised. In G minor the 7th is F and it is sharped. Each time the note is written in, the sharp is placed in front of the F on the staff.
Primary chords in the key of G minor are Gm(i)=G, Bb, D Cm(iv)=C, Eb, G
D7(V7)=D, F#, A, C. Lowered ninth(b9)=Eb Raised ninth(#9)=E#.
F#dim7(vii7)=F#, A, C, Eb.
F#dim7 notes and passing tones F#, [G], A, [Bb], C, [D], Eb**b9, [E#]**#9, F#
Review of GROUP TWO.
Adim7(vii7) notes and passing notes = A, [Bb], C, [Db], Eb, [F], [Gb]**b9, [G#]**#9, A.
B#dim7(vii7) notes and passing tones B#, [C#], D#, [E], F#, [G], A**b9, [Ax]**#9, B#
D#dim7(vii7) notes and passing tones = D#, [E], F#, [G], A, [B], C**b9, [Cx]**#9, D#
F#dim7(vii7) notes and passing tones F#, [G], A, [B], C, [D], Eb**b9, [E#]**#9, F#.
