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1
The passing tones for the vii7 chord utilize the tones that would be figured as the #9 and b9. The use of these two sounds are very much in contemporary jazz. True, they can be over done. Many like to utilize these sounds near the end of a musical selection.
Listen to the sounds.
A harm scale
G#dim7
G# dim7 chord
Now the sounds of passing tones for the G#dim7 chord. The #9 and b9 tones of the dominant 7th chord are utilized to complete the pattern.
