This is the second section.
It begins as before with Bbm (with a little chromatic run in it) and Cm . It goes into Bm as before but I thought we'd vary the sound a little by combining it with another shape:
Step 1: Visualise an F#m at the 2nd fret. Mix it in with the Bm like the notes on the scale chart:
You can hear how the C# gives more flavour to the GM7.
Step 2: Visualise an Ab7 at the 4th fret. This is basically just the same idea as the B7 in the first section:
Step 3: Then we slide up to an Fm at the 8th fret. Apart from changing position it's also fun :)
This Fm is the same shape as the Bbm and Cm and the note positions are the same.
Step 4: The Fm then goes into an Em which covers the CM7 (like the Cm into Bm before):