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James - Metheny/Mays

Jeff Brent (2731) · [archive]
Style: Theory/Reference · Level: Advanced · Tempo: 120
Pages: 1 2 3 4

The first half of the bridge is built around several secondary dominant 7th approaches with the central melodic idea being an upwardly arpeggiating D major 9th chord ( D F# A, F# A C#, A C# E ):

bridge
|| A7 F#7b9/A# | Bm7 A7/C# | Dmaj C#7/F | F#m E7/G# |
|| V7 V7b9/vi | vim7 V7 | Imaj V7/iiim | iiim V7/V |

| Amaj A7/G | Dmaj/F# Bm7 | Gmaj7 A9 | Gmaj7 A9 ||
| Vmaj V7 | Imaj vim7 | IVmaj7 V9 | IVmaj7 V9 ||
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Jeff Brent 2009