C Melodic Minor


C Major

C


C

Eb


E

G 


G

B 


B

D 


D

F


F

A 


A

1_ b3_ 5_ 7_  9_  11_ 13


1_  3_ 5_ 7_  9_  11_ 13

D Dorian b2


D Major

D


D

F


F#

A


A

C


C#

Eb


E

G


G

B


B

1_ b3_ 5_b7_ b9_  11_ 13


1_  3_ 5_ 7_  9_  11_ 13

Eb Lydian Aug


Eb Major

Eb


Eb

G


G

B


Bb

D


D

F


F

A


Ab

C


C

1_  3_#5_ 7_  9_ #11_ 13


1_  3_ 5_ 7_  9_  11_ 13

F Lydian Dominant


F Major

F


F

A


A

C


C

Eb


E

G


G

B


Bb

D


D

1_  3_ 5_b7_  9_ #11_ 13 


1_  3_ 5_ 7_  9_  11_ 13

G Mixolydian b6


G Major

G


G

B


B

D


D

F


F#

A


A

C


C

Eb


E

1_  3_ 5_b7_  9_  11_b13 


1_  3_ 5_ 7_  9_  11_ 13

A Locrian Natural 2


A Major

A


A

C


C#

Eb


E

G


G#

B


B

D


D

F


F#

1_ b3_b5_b7_  9_  11_b13 


1_  3_ 5_ 7_  9_  11_ 13

B Altered(SuperLoc)


B Major

B


B

D


D#

F


F#

A


A#

C


C#

Eb


E

G


G#

1_ b3_b5_b7_ b9__b13 


1_  3_ 5_ 7_  9_  11_ 13

         Harmonizing the Scale (Family of Chords)
                                  
  i = Cm    = C_Eb_G             i = Cm/maj7   = C_Eb_G_B
 ii = Dm    = D_F_A             ii = Dm7       = D_F_A_C
III = Eb aug= Eb_G_B           III = Eb maj7#5 = Eb_G_B_D
 IV = F maj = F_A_C             IV = F7        = F_A_C_Eb
  V = G maj = G_B_D              V = G7        = G_B_D_F
 vi = A dim = A_C_Eb            vi = Am7b5     = A_C_Eb_G
vii = B dim = B_D_F            vii = Bm7b5     = B_D_F_A

Let's examine the Altered or Super Locrian Mode
1_b3_b5_b7_b9b2_b11b4_b13b6


b11b4 is actually the 3 because there is only a half-step distance from 3_4
b3 = #2 and #2 an octave higher is #9
b6 = #5
We can rewrite the chordscale as follows: 1_3_b5 or #5_b7_b9 or #9


The 1_3_b7 = Dominant 7 chord base 
To this chord base we can add #5, #9, b5, b9 
These combinations give us Altered 7th chords:
7#5, 7b5, 7#9, 7b9
7#5#9, 7#5b9 etc......