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A method for applying the G Major/E Minor Pentatonic Scale.
Theory/Reference ·
Intermediate ·
26289 Hits ·
5.00/5 (11 ratings) ·
Last modified: 5/10/2012
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A lesson that should be viewed and practiced by all.
Theory/Reference ·
Beginner ·
31756 Hits ·
5.00/5 (7 ratings) ·
Last modified: 3/10/2000
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A Step-by-step Guide to creating your first Composer sequence. Under development.
Theory/Reference ·
Beginner ·
12635 Hits ·
5.00/5 (7 ratings) ·
Last modified: 11/19/2002
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My jazzy take on the homework...
Theory/Reference ·
Intermediate ·
2625 Hits ·
5.00/5 (4 ratings) ·
Last modified: 12/4/2001
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Learn to solo in every key, and "outside the box."
Theory/Reference ·
Intermediate ·
10681 Hits ·
5.00/5 (3 ratings) ·
Last modified: 8/9/2005
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An introduction to the pentatonic sequence in a new light. Using wide interval stretches and triplets to make strictly Pentatonic soloing more interesting.
Theory/Reference ·
Intermediate ·
10178 Hits ·
5.00/5 (3 ratings) ·
Last modified: 8/26/2002
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Going deeper into improvising over modes thing. It's the sequence of my previous theory lesson.
Theory/Reference ·
Intermediate ·
8916 Hits ·
5.00/5 (3 ratings) ·
Last modified: 1/8/2005
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Pentatonic Sequences for Practice or Warm-Up
Theory/Reference ·
Beginner ·
8358 Hits ·
5.00/5 (3 ratings) ·
Last modified: 9/11/2002
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Play C/Am, G/Em, and F/Dm open forms of the Pentatonic Scale.
Theory/Reference ·
Intermediate ·
7131 Hits ·
5.00/5 (3 ratings) ·
Last modified: 8/24/2005
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The CAGED system.
Theory/Reference ·
Intermediate ·
5858 Hits ·
5.00/5 (3 ratings) ·
Last modified: 4/1/2005
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Taking Bach's classic Jesu, Joy of Man's Desiring and turning it into a picking exercise. Great little exercise to through in your warm-up.
Theory/Reference ·
Intermediate ·
4519 Hits ·
5.00/5 (3 ratings) ·
Last modified: 6/28/2004
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Okies, Now you know how to find modes and intervals of scale, and how to use the intervals to find safe chords for the scale, but let's try it with Harmonization.
Theory/Reference ·
Expert ·
2531 Hits ·
5.00/5 (3 ratings) ·
Last modified: 4/1/2002
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A very fast 64th sweep in Gmaj with a catch
Try to speed it up to 120bpm if you like thats where it starts to impress the general guitaring fraternity. No distortion and start SLOW ensuring you dont play it sloppy!.Enjoy
Theory/Reference ·
Expert ·
2266 Hits ·
5.00/5 (3 ratings) ·
Last modified: 2/3/2002
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A beginner's guide to having fun with the guitar. Contains chords, exercises, familiar songs.
Theory/Reference ·
Beginner ·
12067 Hits ·
5.00/5 (2 ratings) ·
Last modified: 12/23/2004
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Learn the basics of Bossa, it's not that hard. Plus, I show you the old improvising trick. Remember, this is for beginners.
Theory/Reference ·
Beginner ·
7403 Hits ·
5.00/5 (2 ratings) ·
Last modified: 9/4/2001
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How to understand and execute basic polyrhythms. First pages focus on playing them with your hands and voice, then with your guitar. 100% Guaranteed to disturb your family and friends.
Theory/Reference ·
Intermediate ·
7308 Hits ·
5.00/5 (2 ratings) ·
Last modified: 8/14/2006
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The 36th lesson by Peter Hsieh. Join the man on his trill drills as he crosses off the names on his Shred list five! This lesson is an excercise in playing trills.
Theory/Reference ·
Intermediate ·
5327 Hits ·
5.00/5 (2 ratings) ·
Last modified: 9/6/2005
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Play the chromatic scale in three different ways. A great workout for any level guitarist, particularly beginner.
Theory/Reference ·
Beginner ·
4763 Hits ·
5.00/5 (2 ratings) ·
Last modified: 4/23/2006
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Learn how to intonate your instrument and the third part of "Breaking Hand".
Theory/Reference ·
Intermediate ·
4260 Hits ·
5.00/5 (2 ratings) ·
Last modified: 4/8/2004
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Plug in the Major Scale around the three shapes.
Theory/Reference ·
Intermediate ·
3760 Hits ·
5.00/5 (2 ratings) ·
Last modified: 4/1/2005
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More Triads..........
Theory/Reference ·
Advanced ·
3258 Hits ·
5.00/5 (2 ratings) ·
Last modified: 3/11/2000
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B Minor in Thirds
Theory/Reference ·
Intermediate ·
2422 Hits ·
5.00/5 (2 ratings) ·
Last modified: 10/5/2003
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Solo with the G Major Scale (G Ionian Mode).
Theory/Reference ·
Intermediate ·
2345 Hits ·
5.00/5 (2 ratings) ·
Last modified: 8/15/2005
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Here's a little piece I came up with playing around with the harmonic minor scale.
Theory/Reference ·
Intermediate ·
1986 Hits ·
5.00/5 (2 ratings) ·
Last modified: 1/27/2002
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Here is a lesson on "sequences" also known as scale wise movement. Sequences are a cool way to break out of the linear sounding scale slump and they sound pretty cool too.
Theory/Reference ·
Intermediate ·
1964 Hits ·
5.00/5 (2 ratings) ·
Last modified: 7/3/2002
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A little ditty that sounds alarming like the "Halloween" movie theme. But, and intersting piece by far.
Theory/Reference ·
Intermediate ·
1694 Hits ·
5.00/5 (2 ratings) ·
Last modified: 4/14/2001
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Neat little groove to get a bass line while holding the chord shape
Theory/Reference ·
Beginner ·
1689 Hits ·
5.00/5 (2 ratings) ·
Last modified: 1/26/2006
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This lesson gives a review in comparing the ROWS in the previous lessons, one after the other without having to go back to each lesson.
Theory/Reference ·
Advanced ·
8037 Hits ·
5.00/5 (1 rating) ·
Last modified: 11/4/2003
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Here's a few different ways to use the 7(9,13) chord. We'll look at it in funk, blues, and jazz contexts.
Theory/Reference ·
Intermediate ·
7887 Hits ·
5.00/5 (1 rating) ·
Last modified: 8/9/1999
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A way to create melodic layers or leads using the fifth string barre chord, F open chord, and D open chord shapes.
Theory/Reference ·
Intermediate ·
7175 Hits ·
5.00/5 (1 rating) ·
Last modified: 2/27/2005
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What are power chords? How can I use them in a jam session?
Theory/Reference ·
Beginner ·
7169 Hits ·
5.00/5 (1 rating) ·
Last modified: 2/27/2005
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Some warm ups to practice before you start playing. With some licks of famous songs that help to warm up too.
Theory/Reference ·
Beginner ·
5191 Hits ·
5.00/5 (1 rating) ·
Last modified: 6/4/2002
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Beginners start playing the entire neck. Those who don't know the pentatonic cut-throughs should take a gander.
Theory/Reference ·
Intermediate ·
5154 Hits ·
5.00/5 (1 rating) ·
Last modified: 8/20/2005
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How to make cool melodies even cooler using relative notes and picking patterns with your chords.
Theory/Reference ·
Intermediate ·
3634 Hits ·
5.00/5 (1 rating) ·
Last modified: 4/19/2001
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First we learned how to harmonize triads now we'll arpeggiate them and get a good workout.
Theory/Reference ·
Intermediate ·
3573 Hits ·
5.00/5 (1 rating) ·
Last modified: 3/11/2000
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Here is a great way to play an arpeggio and get from one position to the next. Can be used in all styles of music.
Theory/Reference ·
Intermediate ·
3560 Hits ·
5.00/5 (1 rating) ·
Last modified: 7/8/1999
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Yet another installment in the quest for optimal speed and facility on the fretboard. Good Luck!
Theory/Reference ·
Intermediate ·
3303 Hits ·
5.00/5 (1 rating) ·
Last modified: 3/10/2000
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Some examples of some melodies using E major, 7th position.
Theory/Reference ·
Intermediate ·
2925 Hits ·
5.00/5 (1 rating) ·
Last modified: 10/12/2005
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Getting the basics down is only a small percentage of your journey. This lesson will aid in your quest for the golden fleece.
Theory/Reference ·
Intermediate ·
2709 Hits ·
5.00/5 (1 rating) ·
Last modified: 3/11/2000
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A short lesson, explaining a non-parallel alternative to harmonizing scale tones.
Theory/Reference ·
Beginner ·
2419 Hits ·
5.00/5 (1 rating) ·
Last modified: 4/28/2003
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