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Lessons: Jazz Guitar Lessons

Jazz Guitar Lessons

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Featured Lesson Area
1. Mastering Chord/Melody: The Basics (#720) by Jody Fisher (64)
An interactive book excerpt covering some of the fundamentals about learning to play "chord/melody" in which harmony, melody, rhythm, and sometimes bass parts are played simultaneously.
Intermediate · 190022 Hits · 4.10 / 5 (202 ratings) · Last Modified: 2/24/00
2. 7th Chord Sequences (#473) by Mark Levine (72)
An excerpt from Mark Levine's book, The Jazz Theory Book, covering a few different ways to practice arpeggiating your basic 7th chords.
Intermediate · 320163 Hits · 4.11 / 5 (379 ratings) · Last Modified: 12/1/99
3. Brent Rootless 251 Jazz Chord Sequences (#12035) by Jeff Brent (3805)
Brent Rootless ii-V-I Sequences (iim9 - V13th - Imaj7|69). The Bill Evans closed rootless ii-V-I chord voicing system for piano - revoiced open for jazz guitar. Completed 11/6/2009
Expert · 5644 Hits · 5.00 / 5 (6 ratings) · Last Modified: 10/16/09
4. Soloing Over Changes (#1451) by Joseph Scarfone (96)
Here are changes simlar to the verse Of Confirmation in Fmaj. I've done a solo trying to stay in 7th position mostly. It's quite challenging to bring it up to tempo. Enjoy this and I hope there will be more to follow. Joe
Advanced · 5768 Hits · 4.67 / 5 (30 ratings) · Last Modified: 7/5/09
5. Low-Rent Jazz For Rockers Pt. 6 (#12025) by Chris Adams (326)
Inner Logic: A Meditation On John Scofield
Advanced · 1904 Hits · 5.00 / 5 (1 rating) · Last Modified: 6/16/09
6. Low-Rent Jazz For Rockers Pt. 3 (#10664) by Chris Adams (326)
Diminished Capacities - tap into this super-useful scale
Intermediate · 1936 Hits · 5.00 / 5 (3 ratings) · Last Modified: 5/14/09
7. 12 Bar Jazzy Blues (#12016) by Mike Smarjesse (483)
This 12bar blues progression uses triads until the 7th and 8th bars where 4note chords are used..and then back to the triads to take it home...Fey of F
Advanced · 1173 Hits · 3.00 / 5 (3 ratings) · Last Modified: 4/21/09
8. Cool Lick (#12015) by Mike Smarjesse (483)
This run/lick works best with the blues or jazz stuff over a G7 but you might also try squeezing it in over a G or G7 in a fast country tune. It's also a good warmup excercise.
Advanced · 1137 Hits · 5.00 / 5 (1 rating) · Last Modified: 4/20/09
9. Playin' With The Mix (#12014) by Mike Smarjesse (483)
If you're gettin pretty good at playing your major scales over modal type songs or even blues and jazz tunes but you want something different to break out , try jamming on some tunes with the mixolodian scale...think G7 instead of C..or E7 rather than A.
Intermediate · 784 Hits · No rating · Last Modified: 4/11/09
10. Soloing Over A Jazz Blues (#12008) by Alfred Scoggins (2306)
Just what it says :)
Intermediate · 3185 Hits · 5.00 / 5 (2 ratings) · Last Modified: 3/5/09

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