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Lessons: Jazz Guitar Lessons |
101.
Dominant 7th Changes Via Circle Of 5ths (#3844)
by Charles Gacsi (42523)
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Four different moveable fingerings of Dominant 7ths.Note Guide fingers, as used in lesson #1410, enable viewer to change smoother and faster. Cycle of 5ths used. One V7 leading into another V7.
Intermediate · 2123 Hits · 3.67 / 5 (3 ratings) · Last Modified: 9/3/04
102.
E MINOR TRIAD & ARPEGGIO POSITIONS (#7842)
by Charles Gacsi (42523)
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E Minor Triad and associated arpeggios. An additional memory device for remembering various positions needed for E minor. Companion lesson to lessons #7825 and #7782.
Intermediate · 3616 Hits · 2.00 / 5 (1 rating) · Last Modified: 4/10/04
103.
El Helwa Di (the Beautiful Girl) (#2890)
by Tony Saad (75)
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Although oriental music uses quarter tones, oriental Jazz is the combination of western Jazz music and the inspirational oriental licks. Listen to Ziad Rahbani, Rabih Abou Khalil.
Intermediate · 3985 Hits · 4.57 / 5 (7 ratings) · Last Modified: 5/8/01
104.
Elements (#2389)
by Jeremy Cotton (7647)
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Jazz Elements- bebop scales, 3rd and 7ths...
Intermediate · 4139 Hits · No rating · Last Modified: 11/8/04
105.
Etude In C Harmonic Minor Scale (#1769)
by Christer Gimse (59)
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The etude goes through all 5 fingering patterns using triads (G and Ab) and 4 note arpeggios diatonic to the key. Break this line apart and learn it in 4 bar phrases.
Advanced · 5288 Hits · 4.67 / 5 (12 ratings) · Last Modified: 10/31/00
106.
Extended 9th's (#150)
by Sam Munro (1439)
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Another way of looking at arpeggios that I have recently adopted, hope it's helpful
Beginner · 15628 Hits · 2.44 / 5 (9 ratings) · Last Modified: 8/30/99
107.
Extended Arpeggios (#177)
by Christopher Sung (9297)
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Sam Munro's lesson on Extended 9th's got me thinking about how you can create hip lines using upper structure triads. Here's what I came up with...
Advanced · 63062 Hits · 4.44 / 5 (45 ratings) · Last Modified: 7/28/99
108.
EXTENDED CHORD SCALE FORMS #1, IN TEMPO (#7759)
by Charles Gacsi (42523)
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Harmonized Chord Scales in Position. Initially strings 4, 5, and 6 used. Fretboard uses higher and lower extensions beyond start and end of tonic. Fretboard range used from open to about 16th fret on different parts of this lesson.
Intermediate · 9536 Hits · 2.50 / 5 (2 ratings) · Last Modified: 8/9/04
109.
EXTENDED CHORD SCALE FORMS #2 IN TEMPO (#7796)
by Charles Gacsi (42523)
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Harmonized chord scales in position. Initially strings 3, 4, and 5 used. Fretboard uses higher and lower extensons beyond start and end of tonic. Fretboard range used from open to about 16th fret on different parts of this lesson.
Intermediate · 7494 Hits · 1.00 / 5 (2 ratings) · Last Modified: 8/9/04
110.
F Major Jazzblues (#1775)
by Christer Gimse (59)
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Play this line fast. It goes through one round of standard jazzblues.
Advanced · 6817 Hits · 4.57 / 5 (14 ratings) · Last Modified: 11/1/00 |
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