Many local clubs feature an "open mic" venue, where songwriters and
musicians of all kinds can get their feet wet. It's a great way to find
others with which to co-write or to form a band, duo, or trio. Perhaps,
most importantly, it's a great way to perform for an audience and see what it
takes to pull off a show of your own.
Coffee Houses and Churches make the best settings for creating an
appropriate atmosphere. Clubs, or venues serving alcohol, are usually bad
for "intellectual art," which is what open mics are, in my opinion. Let's
face it, alcohol doesn't exactly put people in a state of focused awareness,
eh? So, if you have a choice, or if you are thinking of starting your own
venue, avoid the places that are offering alcohol. Of course, this isn't
true, and often it isn't avoidable. But it is worth noting.
Open mics are a lot of fun! Instrumentalists, poets, solos, duos, trios,
bands, you name it, will usually perform 3 or 4 pieces at a time -
which makes it palatable for any audience to enjoy. If you don't like the
act that's presently up, well, in 20 minutes they'll be gone and you can
enjoy the next surprise. And, often, it is
a surprise! You never know when
some real talent might step up and do something uniquely from the heart. If
you're just observing, you'll find yourself thinking how well you would do
in comparison to all that you've witnessed...but be forewarned: This is
not as simple as it looks!
You may have done all your homework, practiced to the max, compiled
songs that are pure hits, with vocals and parts worked out to dazzle any
audience. You're sure you're better than anything you've seen at
the local open mics. But on your first try, you will most likely drop a bomb
as big as any you've seen - and in total disbelief! And, these will be the
excuses you find dripping off your bottom lip: "The room was too noisy - I
couldn't focus!", "I couldn't hear myself! That sound guy is a real
jerk!", "The guitar wasn't loud enough.", "The vocal mic wasn't even
turned on!" and I could keep on going, but what's the sense? Fact is, you
didn't know what you were doing, and did a poor job. You didn't really think
you'd pull it off perfectly your very first try, did you? Of course you
did! You worked hard at this! You prepared thoroughly! So what went wrong?
Distraction. Unfamiliar surroundings. Lack of experience. That's what.
So, what to do? Go back next week, and do it all over again. Simple as that.
This is what open mics are for! Let's face it: until you pull this
off, you aren't gonna' be touring or getting paid for what you do. But if you
focus, keep at it, and figure out all the little things that go on in a club
atmosphere, it won't be long before you're a popular and welcomed face at
the local open mic scene.
Rule Number One:
Understand this: Absolutely every person in the audience ... in any
to see you do well. Really well. They are rooting for you from the
moment you get on stage. Think about this for a minute, okay? The audience is
not sitting there judging your talent. And, the audience is not sitting
there waiting for the next big thing to strike America like a bolt from
heaven, either. They don't care how "great" you are, or how wonderful you
think you are. They are very simply out to have a fun evening, and when
you get up on that stage, they are hoping
you will be wonderful! If they see
you struggling at all with anything, they are secretly praying for
your success, sending you their energy and their precious love. Why?
Dig this: because they are putting themselves in your shoes, man! They are
being "you!" Isn't that what you do when you are watching and listening to
an act? Meditate on this concept. It's a true concept - and it's a healing
one, too. When you get up in front of an audience, you start with them on
If you get up there trying to prove how good you are, you're likely to do
just the opposite. Try to let go of your ego. This isn't easy, because it
takes quite a bit of ego to get up there in the first place, eh? But get
this straight - you are there for them - they are not there for you. The
performers who have this one twisted around are very obvious, and it's
offensive, not entertaining.
Now here comes Mr. Dichotomy: forget about the audience and just do your
thing. Don't think about them, or how they are going to react. Just do
what you usually do - you know, when no one's around - and let them
witness that. Go inside yourself, focus on what you love, and let it
happen. If you are thinking about the audience, you are not going to be
focused about what you are doing, and you are going to make a mistake. And
then you'll be thinking about what the audience is thinking about you for
making that mistake. And while you are concentrating on that dilemma,
you'll make yet another mistake and then - oh, man.
In short, it all becomes a matter of what you really care about. If you care
about what an audience is thinking of you, you are bound to blow it. On the
other hand, if you care about what you are doing, it'll show as a sincere
presentation of whatever talent you have, and that is all anyone can ask
for - including you.
But know that any audience, from the very start, is on your side. So be
there for them by focusing on your song and giving yourself over to that
It's not easy to develop this kind of trust in yourself, let alone a room
full of strangers, but you may as well, because in the end that's the way
it's going to be - or you won't be playing in front of people for very long.
Rule Number Two:
Now for the technical side of things. This is tough at first, but after a
few times it gets real easy: the first thing you do when you get up in front
of the mic, is plug your guitar in. Test it in conjunction with your mic,
and get a happy balance happening. Don't get all flustered, and don't
to know what you need! You are the only one who knows that.
Simply say, "A little less guitar, please." Or, "A little less vocal,
please." Notice I said "less." Amateurs tend to ask for "more." Wrong idea.
Less is more, as I'll be pointing out. The only time I ask for "more" is
in reference to my monitors. Those are the speakers (usually on the floor,
right at your feet, pointing up at you) that let you hear what you are
doing. If they aren't loud enough, you might wind up playing in one key and
singing in another without ever knowing it! The audience will though,
and they'll think you're some sick cow who never should've gotten up there
in the first place! Be sure your monitors are comfortable for you.
Okay. You've got a nice balance happening. You can hear your guitar and you
can hear your vocal. Now you are ready to play. If you ever start playing
before applying this discipline (and you probably will), you will know - and
you will never forget - why it is so very important. If you can't hear
yourself in those monitors, you are going to do a lot of very silly things, and,
like I said, you probably won't even know it...but the audience will.
Rule Number Three:
Relax. Pull back. I'm tellin' you - this is a hot tip! Play your
instrument and sing your songs...quietly! Don't be fooled! This applies to
rock and roll bands too! I repeat - pull back and play softer than you think
you should, especially in a noisy room! There is something that happens
when you do this. It cannot be explained, but you'll see what I mean
when you successfully apply this technique. It seems to create a controlled
that adds magic and professionalism to any
There was an open mic I use to hate playing. It was a long narrow room with
the stage all the way back at one end. The acoustics in this room sucked
so bad it was unbelievable! In addition, the place was usually packed
with loud, drinking, partying college students. I honestly dreaded the
thought of playing there, but went faithfully every week. I knew it was one
of the most important gigs I could play ... because it was the toughest. I
use to say, "Man, if you can play this room and pull it off, you can play
anywhere." And that's why I did it. And, the first time I conquered that
room was the first time I played that room. I followed a popular rock band
who had the place filled with their fans. No one knew, or cared who I was,
and with just me and my guitar, I got on stage and set up. By the
time I was ready to play my first song, the room was so packed and so loud I
couldn't hear anything that mattered! I focused and started playing way
softer than usual, and with a quiet ballad, to boot! By the time I
reached the end of the first verse, I had the attention of the entire room.
And, man ... I can't tell you how good a feeling that
is! The next song was
upbeat, and from then on, they were all "mine." And, afterwards, every time I
played that room I had their attention, because "first impressions are
lasting ones." If I would've tried to beat the noise of the room, instead of
creating "my own quiet, private party," I would never have done it.
Learn how to apply "controlled tension" by pulling back and focusing on
having your own private party on stage ... and everyone will want to join
Some Other Stuff:
If you are using a mic on your guitar, don't place it directly in front of
the soundhole. Place it just slightly below the centerpoint of the soundhole,
pointing up at a 45 degree angle. I prefer using a pickup for
the same reason I prefer using a headset mic: I like the freedom to move
around, and I don't like seeing a "silver stick" in front of my face and
Try and get there early, and place your guitar/equipment near the stage ...
there's usually a designated area - find out where it is, and when you are
called to play, be organized and quick about your setup without sacrificing
your satisfaction with the monitors and sound.
When you feel your performances are up to snuff, ask the club owner to
listen to your sets and let him/her know you're interested in a paying gig -
be ready, also, with a promo package for her/him to look at and listen to,
and be sure your name and phone number are on everything
Be supportive of every act that performs ... no matter what your opinion may
be. Everyone needs encouragement - especially those who may *seem* to be
wasting your time. If they have the guts to get up there, they deserve your
attention and applause.
While you are on stage, keep an eye on the head-honcho-in-charge for any
signals: he/she may want you to do another song, or they may want you to
wrap it up. Act like a pro.
Don't make excuses about or for anything. No one wants to know whether or
not you have a cold, etc. There's nothing so unprofessional as
making excuses about your voice, or rambling on about some other unrelated
issue. If you have a cool story to relate about a song, tell it like a
friend, and it can truly add to the show ... but keep it to the point and,
for the most part, let your music speak for itself.
Last, but certainly not least, don't play any song you haven't practiced to
the hilt. As my other tutorials point out, you should know your stuff
backwards, forwards and upside down if you ever expect to let the muse have
Good luck ... and remember what Kevin Welch says:
"If you ain't killin 'em, maybe your point ain't sharp enough!"
Or ... as I always say:
"It don't happen till you do."